Jesteśmy poniżeni formą, ale świetnie po-in-formowani
"Man cannot express himself on the outside not only because others speak him - he cannot express himself above all because only what is already arranged in us, mature, is suitable for expression, and all the rest, i.e. our immaturity, is silence. Therefore, form will always be something compromising for us - we are humiliated by form.(...) And finally, won't a man who is always below value, always compromised (so far as being a human being means being "worse", worse than what he himself produces) not seek the discharge of his mental life in the sphere proper to him, that is, in the realm of cheesy?"
Witold Gombrowicz Journal 1953 – 1964, 1957 [22], Kraków 2011, p. 342.
We chose a non-obvious, five-part form. We gather and watch in silence. Fortunately, books treated as building material can be looked at in silence, without "sayment", just as you look at architecture.
Troublesome silence happens when someone refuses, uncertain, unconvinced, suspecting that some of his rights to personal form (and laws derived from these fundamental rights) may suffer.
They wrote:
- You want to invite the Garden to write People Dressed, ba, preferably over-dressed, unique, girded with orders, sitting in offices, jumbojets. So what, in this literary "The Promised Land" is supposed to be naked? That everyone is on the sentence, with the same letters that you don't know who just touched? A fe, how can you. Man throughout his life, he tries, tries, beautifies, decorates with successive distinctions, and here so in common?
Everyone tries to discreetly but firmly distinguish, and here so suddenly: together?
They wrote:
- When Bosch received an order from Count Hendrick III of Brussels for a large painting to decorate banquets around 1515, he had so much reason that he took down all this company, which was fooling and playful in the Garden. And only Negros They stand out.
They wrote:
- A long time ago, in the era before the Pipe, I scared Jacek by telling him that Atlas Sztuki, if he wanted to be both elite and egalitarian, should (fighting for attendance) make a gallery in the water park. Jack's vision speaking to the gathered group of connoisseurs, experts and regulars barefoot (because how else in the swimming pool, in shallow water in a tie?) He entertained me, he scared him. How can you. Exactly. The iconography of paradise is an iconography of nudity, a state of mutual similarity (rather ugly), which we do not want to remember. Nudity: Natural nuditas Very quickly turned into our empty heads into Criminal nuditas.
They wrote:
- If I don't know, I'm pouring everything on the side, but maybe before you start pouring concrete from a thick pear under your Book, a few words in the horizon of this Eden, incomprehensible - if not trying on such a fisted Library. This "squeaking" from the right wing (hell) of the Garden of Desires of Bosch looks the same way carried to hell in the Sistine Last Judgment of Michael A. It is a whole separate iconographic tradition, looking with one eye, "through your fingers", a long story.