Everything Can Be Put in Order Simply

Everything Can Be Put in Order Simply

I think it's just "the one from architecture", well, today maybe you from SRE (Site Reliability Engineering) and tireless Site admins They still believe it. 

Like a string, like a ruler, like a table or syllabus, point by point. 

Images of reality, even those absolutely still, well known, seen for thousands of years look very confused.

The second extreme are the masters of the winding and the living word, which is all the same thing they are talking about - intensity, bit and flow count. For them, the plot and meaning are archaic concepts directly from the 19th century weaving loom, having nothing to do with the current message and image.

If you like illogical puzzles, look unhurriedly at the relief set at the western wall of the Chapel of the Holy Sepulchre at the southern nave of the church of St. Cyriac in Gernrode. 

It is a large, old church (older than the baptism of Poland), at the beginning of the 12th century the Chapel of the Tomb was added to the southern nave with a strongly tangled, fragmentary preserved decoration, with traces of numerous changes to the original programme. Most of the analyzers of this object believe that the small figures in the corners of the zoomorphic border are John the Baptist and Moses. There is no consensus on who the character between the columns is. A figure coming out to meet us from inside the grave. On many websites you will find a daring interpretation that it is Maria Magdalena. Why do Moses and John "preceding" the resurrected man point to her? 

We are not even sure if this character was there from the beginning. The arrangement of her feet tells some researchers that it was originally a relief planned as a lying figure, not standing. We look at the surprisingly realistic face carved in stone and we don't even know what gender it belonged to (this is one of the oldest examples of problems with Gender iconography). There are those who think it could be St. Metron, to whom the entire western part of the church is dedicated, others claim to be Bishop Bernhard von Halberstadt, who took part in the consecration of the church and monastery in 959. For many, this supernatural figure, its strength and separateness in the face of the tangled, flat border is the image read in the second chapter 1 of St. Peter (https://biblia.deon.pl/rozdzial.php?id=1050). There are significant verses about the "living stone" (1Pt 2:4-5), there is a call to radical obedience, well suited to the context of the religious temple, there is finally the final promise of deliverance from all confusion and confusion (1 Peter 2:24-25).

If you are bored, read this page chapter of the Bible, full of ambiguity and metaphors, look at how strangely the masks-faces are intertwined with the rest of the world, click on something about stone (preferably Romanesque) Deepfakes.  

If it didn't help, click on the pages about Zones From "Picnic on the side of the road" by the Strugacki brothers, read about Chamber, about hope. Reading about the surrounding Chamber "High" look back to the edge of the border with Gernrode. 

After such preparation, you can go through the entire Śmigus Dyngus together with Stalker. Apparently it's an engaging and certainly not a simple game. Barriers, bans, warning tapes are losing their importance. 

And if you are traditionalists and do not read Soviet science fiction at Christmas, then read (without taking your eyes off the stone face of Gernrode) Psalm 121. 

"Dominus custodit te ab omni malo: custodiat animam tuam Dominus.
Dominus custodiat introitum tuum, et exitum tuum: ex hoc nunc, et usque in s�æculum.” 

https://biblia.deon.pl/rozdzial.php?id=954)

Apparently, that's why it's Christmas. It is possible that an enigmatic, silent as an icon, stone figure says something similar to you. 

Gernrode, Stiftskirche St. Cyriacus, the western wall of the Chapel of the Tomb, pocz. 12th century 

In the same church, you can find reliefs telling not about death and the grave, but about birth. Taufenstein Is a fragment of the Romanesque baptismal font (halv. XII century) moved to Gernrode in the 19th century from the dismantled church in Alsleben. 

Animals can be seen both in the Christmas manger and in the Tomb. 

For some reason, those from the birth scene seem nicer to us. 

The mystical tradition identifies, equates two short moments: "your exit and coming" (introitum tuum, et exitum tuum). However, so far we know ours and the latter seems much more complicated to us. 

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