{"id":19275,"date":"2025-01-16T20:13:19","date_gmt":"2025-01-16T20:13:19","guid":{"rendered":"https:\/\/atlassztuki.pl\/?p=19275"},"modified":"2025-09-24T12:33:14","modified_gmt":"2025-09-24T12:33:14","slug":"january-23rd-2006-minus-18-degrees-celsius-lodz-poland","status":"publish","type":"post","link":"https:\/\/atlassztuki.pl\/en\/january-23rd-2006-minus-18-degrees-celsius-lodz-poland\/","title":{"rendered":"January 23rd, 2006. Minus 18 degrees Celsius. \u0141\u00f3d\u017a, Poland."},"content":{"rendered":"\n<p>There are few cars on the streets of \u0141\u00f3d\u017a, most of them stuck in huge snowdrifts. Ice-covered roads glisten in the sun. At 10am, the notary&#8217;s office on \u017bwirki Street is still empty. Slowly, journalists and reporters began to trickle in. Then the heroes of the day arrived: American director David Lynch, architect and businessman Andrzej Walczak and director of the Camerimage film festival Marek \u017bydowicz. They disappear behind the door. There is no point in peering, because the glass panes in the door are cut in such a way that everything inside is distorted.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"312\" src=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B-1024x312.jpg\" alt=\"\" class=\"wp-image-5262\" srcset=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B-1024x312.jpg 1024w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B-300x91.jpg 300w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B-768x234.jpg 768w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B-1536x468.jpg 1536w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/0003B.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Time passes slowly in the cool air, filled with the aura of anxious waiting. Finally, the door swings open. Three men are sitting behind a table, smiling. They have just set up a foundation. In front of them is a forest of microphones, photojournalists fighting to get as close as possible.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"504\" src=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151-1024x504.jpg\" alt=\"\" class=\"wp-image-5263\" srcset=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151-1024x504.jpg 1024w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151-300x148.jpg 300w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151-768x378.jpg 768w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151-1536x756.jpg 1536w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx2151.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>&#8220;I fell in love with \u0141\u00f3d\u017a, its atmosphere and its buildings, from the first time I visited,&#8221; David Lynch confesses. When I saw the factories in \u0141\u00f3d\u017a, I almost fainted, they were so beautiful. And the heat and the power\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"539\" src=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48-1024x539.jpg\" alt=\"\" class=\"wp-image-5264\" srcset=\"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48-1024x539.jpg 1024w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48-300x158.jpg 300w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48-768x404.jpg 768w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48-1536x809.jpg 1536w, https:\/\/atlassztuki.pl\/wp-content\/uploads\/2021\/12\/fss-dx48.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>That was the beginning of everything.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There are few cars on the streets of \u0141\u00f3d\u017a, most of them stuck in huge snowdrifts. Ice-covered roads glisten in the sun. At 10am, the notary&#8217;s office on \u017bwirki Street is still empty. Slowly, journalists and reporters began to trickle in. Then the heroes of the day arrived: American director David Lynch, architect and businessman [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,128],"tags":[184],"class_list":{"0":"post-19275","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-idem","9":"tag-idemy_mobilneur"},"acf":[],"1_4_image":null,"_links":{"self":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/19275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/comments?post=19275"}],"version-history":[{"count":4,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/19275\/revisions"}],"predecessor-version":[{"id":19391,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/19275\/revisions\/19391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/media\/19389"}],"wp:attachment":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/media?parent=19275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/categories?post=19275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/tags?post=19275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}