Ani w sporcie, ani w sztuce nie chodzi g\u0142\u00f3wnie o emocje, czy rywalizacj\u0119. Ani w jednym, ani w drugim przypadku nie potrafimy okre\u015bli\u0107 o co chodzi. I dlatego zdarza si\u0119, \u017ce jeszcze czasem uwa\u017cnie na co\u015b patrzymy.<\/p>\n\n\n\n
Forbes <\/em>(kt\u00f3ry nie zna si\u0119 na sztuce, ale jest wp\u0142ywowy) proponuje nast\u0119puj\u0105c\u0105 tras\u0119 po najciekawszych wystawach tegorocznego 60-tego Biennale Weneckiego (\u201eHere are 11 of the must-see country pavilions”):<\/p>\n\n\n\n https:\/\/www.forbes.com\/sites\/joanneshurvell\/2024\/04\/30\/11-of-the-best-country-pavilions-of-the-venice-biennale-2024\/?sh=25cd556913e6<\/a><\/p>\n\n\n\n 1. Great Britain: John Akomfrah,\u201d<\/em>Listening All Night To The Rain\u201d<\/p>\n\n\n\n 2. France: Julien Creuzet, \u201eAttila cataract your source at the feet of the green peaks will end up in the great sea blue abyss we drowned in the tidal tears of the moon\u201d<\/p>\n\n\n\n 3. Australia: Archie Moore, \u201eKith And Kin\u201d<\/p>\n\n\n\n 4. United States: Jeffrey Gibson, \u201ethe space in which to place me\u201d<\/p>\n\n\n\n 5. Japan: Yuko Mohri, \u201eCompose\u201d<\/p>\n\n\n\n 6. Malta: Matthew Attard, \u201eI Will Follow The Ship\u201d<\/p>\n\n\n\n 7. Benin: Chlo\u00e9 Quenum, Moufouli Bello, Ishola Akpo, Romuald Hazoum\u00e8, \u201eEverything Precious Is Fragile\u201d<\/p>\n\n\n\n 8. Holy See (Vatican): Bintou Demb\u00e9l\u00e9, Simone Fattal, Claire Fontaine, Sonia Gomes, Corita Kent and Claire Tabouret, Marco Perego, \u201eWith My Eyes\u201dAtGiudecca Women’s Detention Home <\/p>\n\n\n\n 9. Nigeria: Tunji Adeniyi-Jones, Ndidi Dike, Onyeka Igwe, Toyin Ojih Odutola, Abraham Oghobase, Precious Okoyomon, Yinka Shonibare, Fatimah Tuggar, \u201eNigeria Imaginary\u201d AtPalazzo Canal<\/p>\n\n\n\n 10. Ethiopia: Tesfaye Urgessa, \u201ePredjudice And Belonging\u201d At Palazzo Bollani<\/p>\n\n\n\n 11. Portugal: Monica De Miranda, Sonia Vaz Borges, Vania Gala, \u201eGreenhouse\u201d At Palazzo Franchetti<\/p>\n\n\n\n Artsy<\/em> ( kt\u00f3ry zajmuje si\u0119 tylko sztuk\u0105, ale niekoniecznie jest czytany) proponuje z kolei taki wenecki spacer po najlepszych wystawach:<\/p>\n\n\n\n https:\/\/www.artsy.net\/article\/artsy-editorial-10-best-national-pavilions-60th-venice-biennale<\/a><\/p>\n\n\n\n 1. United States: Jeffrey Gibson<\/a>, \u201cthe space in which to place me\u201d. Curated by Kathleen Ash Milby and Abigail Winograd, Giardini<\/p>\n\n\n\n 2. Estonia: Edith Karlson<\/a>, \u201cHora lupi\u201d.Dramaturgy by Eero Epner, Chiesa di Santa Maria delle Penitenti, Cannaregio<\/p>\n\n\n\n 3. France: Julien Creuzet<\/a>, \u201cAttila cataract your source at the feet of the green peaks will end up in the great sea blue abyss where we drowned in the tidal tears of the moon\u201d. Curated by C\u00e9line Kopp and Cindy Sissokho, Giardini<\/p>\n\n\n\n 4. Holy See: \u201cWith My Eyes,\u201d featuring works by Maurizio Cattelan<\/a>, Bintou Demb\u00e9l\u00e9, Simone Fattal<\/a>, Claire Fontaine<\/a>, S\u00f4nia Gomes<\/a>, Corita Kent<\/a>, Marco Perego<\/a> & Zoe Saldana, and Claire Tabouret<\/a>. Curated by Chiara Parisi and Bruno Racine, Casa Reclusione Femminile Venezia, Giudecca<\/p>\n\n\n\n \u00a05. Lebanon: Mounira Al Solh<\/a>, \u201cA Dance with her Myth\u201d. Curated by Nada Ghandour,Arsenale<\/p>\n\n\n\n 6. Nigeria: \u201cNigeria Imaginary,\u201d featuring works by Tunji Adeniyi-Jones<\/a>, Ndidi Dike, Onyeka Igwe<\/a>, Toyin Ojih Odutola<\/a>, Abraham Oghobase<\/a>, Precious Okoyomon<\/a>, Yinka Shonibare<\/a> CBE RA, and Fatimah Tuggar<\/a>. Curated by Aindrea Emelife, Palazzo Canal, Dorsoduro<\/p>\n\n\n\n 7. Egypt: Wael Shawky<\/a>, \u201cDrama 1882\u201d, Giardini<\/p>\n\n\n\n 8. Ethiopia: Tesfaye Urgessa<\/a>, \u201cPrejudice and Belonging\u201d. Curated by Lemn Sissay, Palazzo Bollani, Castello<\/p>\n\n\n\n 9. United Kingdom: John Akomfrah<\/a>, \u201cListening All Night To The Rain\u201d. Curated by Tarini Malik, Giardin<\/p>\n\n\n\n<\/ol>\n\n\n\n