{"id":13329,"date":"2022-08-03T19:36:31","date_gmt":"2022-08-03T19:36:31","guid":{"rendered":"https:\/\/atlassztuki.pl\/biel-jako-zupelnie-niepraktyczna-blahostka\/"},"modified":"2024-02-08T15:40:19","modified_gmt":"2024-02-08T15:40:19","slug":"biel-jako-zupelnie-niepraktyczna-blahostka","status":"publish","type":"post","link":"https:\/\/atlassztuki.pl\/en\/biel-jako-zupelnie-niepraktyczna-blahostka\/","title":{"rendered":"White as an entirely impractical triviality"},"content":{"rendered":"\n<p>Heat or storm. The beginning of August is a time of a slight limbo, when one can waste time more than usual staring at the furiously growing herbage that has to make it in time for the next wave of heat, a smidge of wind breaking what has been dragging too long to grow, to implant, to weave into everything around it.<\/p>\n\n\n\n<p>What color accompanies this, what is worn in summer? White, still white. Let&#8217;s see what it can mean.<br>Two paintings, a good chunk of time between them, white dominates both. At least that&#8217;s how they are described.<\/p>\n\n\n\n<p>Rafael&#8217;s<em> La velata<\/em> remains anonymous, we are not sure who posed. We know as much as we can see: the unobvious amber around her neck, the strand of hair instead of a second hand reminding us of the passing moment, the crimp of a dress of white moir\u00e9, thickly woven silk trimmed with gold. A maiden in such white would have caused anxiety in the box at Wimbledon and at Royal Ascot races.<\/p>\n\n\n\n<p>Malevich&#8217;s <em>White square<\/em>, as usual, it&#8217;s not quite clear when painted. The one on display at New York&#8217;s MoMa is said to be from 1918. Malevich&#8217;s experiments with white on white began earlier, around 1916. The square stretcher measures 79.5 \u00d7 79.5 cm. La velata fits on a canvas 82 \u00d7 60.5 cm, closer to the golden ratio.<\/p>\n\n\n\n<p>He&#8217;s photographing something, measuring it in RGB, in CMYK, setting precise traps for the color mapping space. He&#8217;s photographing something, measuring it in RGB, in CMYK, setting precise traps for the color mapping space. He treads over mathematical transformations of <strong>R<\/strong><sup>3<\/sup><sub>colour<\/sub> vector space<strong>.<\/strong> He fills hours of transatlantic flights studying publications attempting to reconcile the Young-Helmholz theory of color vision and Hering&#8217;s, for example. All to no avail, all as ineffective as peg leg Ahab&#8217;s pursuit of a white whale. Let&#8217;s not resolve the ending, does it have to be as tragic as Herman Melville&#8217;s? Whiteness as an entirely impractical triviality remains one of those transitory qualities of which human life is composed. We can neither fix it, nor explain it. It&#8217;s probably not worth the effort.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heat or storm. The beginning of August is a time of a slight limbo, when one can waste time more than usual staring at the furiously growing herbage that has to make it in time for the next wave of heat, a smidge of wind breaking what has been dragging too long to grow, to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18019,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[128],"tags":[],"class_list":["post-13329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-idem"],"acf":[],"1_4_image":"https:\/\/atlassztuki.pl\/wp-content\/uploads\/2022\/08\/biale.jpg","_links":{"self":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/13329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/comments?post=13329"}],"version-history":[{"count":9,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/13329\/revisions"}],"predecessor-version":[{"id":18021,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/posts\/13329\/revisions\/18021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/media\/18019"}],"wp:attachment":[{"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/media?parent=13329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/categories?post=13329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atlassztuki.pl\/en\/wp-json\/wp\/v2\/tags?post=13329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}